Homepage Stephens Biography Footage of the Parklife recording sessions Timeline of Stephen's career as a record producer Stephen's diary, updated by the man himself. A collection of tracks produced by Stephen Street Stephens Viva Hate song book & notes Your comments A collection of images Contact Stephen's management  

Stephen Street - Record Producer

11 June 2012 Contact/ Enquiries

Contact/ EnquiriesHi,

It has come to my attention that the 'Contact'  and 'Feedback' pages on this site are not working. Any enquiries regarding potential production work should be directed to my manager Gail Colson at the address

gail@gailcolson.com

Thank you

Stephen

10 June 2012 Artists, Know thy Enemy! Who is ripping you off!

Artists, Know thy Enemy! Who is ripping you off!Interesting Blog that I have read recently that expresses the opinions that I have held for a long time very well:

Musicians have been getting the short end of the stick for a long time. There are no shortage of stories about the wrong doings of managers, booking agents, etc and of course record labels.

But today we find ourselves in a battle with an enemy few of us understand. If we were to believe the writings and ramblings of the tech blogosphere, than they would have us believe that our enemy is our fans. This is simply not true.

The enemy are the for profit businesses making money from our recordings and songwriting illegally. Letís be clear about this, our battle is with businesses ripping us off by illegally exploiting our work for profit. This is not about our fans. It is about commercial companies in the businesses of profiting from our work, paying us nothing and then telling us to blame our fans. That is the ultimate in cowardice and dishonesty.

Who are these companies? You know some of them, the ones that have been prosecuted and are no longer operating, Napster, Limewire, Grokster and Kazaa to name a few. Some have been convicted of operating illegally and are running from the law, switching servers to jurisdictions outside the reach of justice, such as The Pirate Bay. And, there are other still others who have yet to go to trial like Megaupload who alone made a billion for itís owner Kim Dotcom who paid artists nothing, nadda, zero, zilch, zippoÖ

Our friends over at Ethical Fan recently published a Wall of Shame showing not only the sites who are profiting, but also who is paying for the advertising. This is no different than your music being used in a TV Commercial by AT&T, Time Warner, Verizon, State Farm Insurance, etc. Virtually all of these Artist Exploitation sites such as The Pirate Bay, Demonoid, Iso Hunt and others are operating for profit. Again, this is not about fans sharing, this is about illegally operating businesses making millions (and more likely Billions collectively) of dollars a year from the exploitation of artists work and not sharing any of the revenue with artists.

To the uninitiated, it might seem odd that what seems like a simple question of right or wrong is even being debated, but these sites that exploit artists are supported and promoted by faux civil liberty groups opposed to protecting creators rights ó and internet giants are happy to throw their support behind them. Together, they have crafted a narrative of creator rights as quaint and outdated, offering artists a brave new online world where they can throw off the shackles of labels (or publishers, or studios, etc.) and give away their work to find fame and fortune. However, after a decade of half baked ideas, faulty business models, and outright lies, we know this is simply untrue. If the internet is working for musicians, why arenít more musicians working professionally?

We may not always be fans of record labels, but at least the labels negotiate contracts, pay advances, market and promote artists, and are contractually accountable for wrong doing. However, the Artist Exploitation sites who are operating illegally and completely above the law are making 100% of the money from work created by musicians and artists. We would love to see the day when these sites license music legally, governed by fairly negotiated contracts.

Being able to collect 100% of the money from exploiting the work of artists is no doubt profitable when these companies donít have to share any of that money with the artists themselves. This is expressly why copyright exists, specifically to protect artists and musicians from corporate interests who would illegally exploit the artist for profit. This is why record labels, publishing companies as well as the producers of films and television must negotiate with artists for the use of their work. And the artist has the free agency to decline. The artist has no such enforceable rights online today in the Exploitation Economy.

In other words, artists, creators and musicians have become road kill on the information super highway.

Opponents of the enforcement of Artists Rights online often cite what a powerful tool the internet is for distributing music cheaply. We are encouraged by many new and promising services to musicians that are being developed. But is absolutely false to assert that an artistís work must be exploited illegally for the artists to enjoy the benefits of the internet.

Nothing is stopping any artist from sharing or giving away their work online through legitimate sites such as Soundcloud and Bandcamp.  Artists have the full right and capability to distribute their work freely, and by choice without having to be exploited illegally to the benefit and profit of an exploitative  company or corporation.

This is not about being for, or against technology or the internet, this is about being opposed to illegally operating businesses on the internet exploiting artists for commercial gain. Itís really just that simple.

Those attacking Artists Rights also want you to believe that if you want to be paid you must be against technology and for censorship. Nothing could be more wrong. The internet is a amazing tool and most musicians we know are also early adopters of new technology (especially of the musical variety!). More so, it was artists and record labels who have historically fought against censorship and for freedom of expression. No where was this been more evident than in the 90′s battles against the PMRC in regards to record labeling with ďExplicit LyricsĒ stickers. Many artists have been on the front line of the battle for freedom of expression such as ICE-T, Janeís Addiction and many others.

Letís be clear, there is a difference between protecting the right to the freedom of expression, and profiting from the illegal exploitation of that expression itself.

In other words, artists and musicians are champions of freedom of expression and new technology. The only question that we ask is, is the use of the technology legal and does it respect artists rights as expressed in copyright. Copyright serves as the foundation that enables an artist the free agency to make the choices for themselves that are meaningful to them. Without the enforcement of copyright artists are bullied into forced collectivism by the new gate keepers who control the access to distribution revenues of music exploited illegally.

An economy built on the illegal exploitation of artists, is very simply an Exploitation Economy.

Any wrong doing of illegally operating businesses ripping off artists and illegally exploiting their work should be held accountable, even if they are on the internet.

06 June 2012 On twitter!

On twitter!Hi All
I've recently joined Twitter (who would have thought)! Actually quite enjoying expressing opinions on things as they happen. so check me out @Streetstephen on Twitter.

Cheers

Stephen

30 June 2011 New Cranberries album mixed

New Cranberries album mixedHi All,

Just putting the finishing touches on the mixing of the new Cranberries recordings. The session has gone so well. Both the band and I are delighted with the results. They really are back on top form for this album!

We have 17 tracks finished but this will be probably whittled down to around 12 for the final cut. I'm sure the extra tracks will be heard in some format or other.

It's looking pretty busy for the next month or so with some interesting projects in the pipeline. I'll keep you up to date as things progress.

Until then.....

28 June 2010 Studio Update

Studio UpdateHi All,

Just picking myself back up off the floor after the woeful performance of the England squad at the World Cup! When will the FA ever learn?

Oh well.....

I've been working with a couple of good new bands recently. First of all, I headed over to Strongroom studios at the start of the month to record two tracks with a great band from Sheffield called The Crookes. Then, shortly after I was off to Sofa Sound Studios in Acton working with a very promising group named Luna Belle. I really enjoyed the session. The two songs turned out very well and I thought that Sofa Sound was brilliant. It's nice to find a good studio in West London that is well run and well stocked with great gear!

Keep an eye out for the bands I mentioned above.

Cheers

Stephen

15 June 2009 Blur are back!

Blur are back!Hi All,

I had the great fortune of being invited to Blur's comeback gig last weekend near Colchester! The guys played for around 150 people in a goods shed at the East Anglian Railway Museum, where they launched their careers in 1988 and the gig was brilliant!

I was blown away by how good the band sounded and the songs still sound as fantastic as ever. Those of you who are lucky enough to be seeing the guys at their upcoming gigs will not be disappointed I assure you! That chemistry that made them so special in the first place has firmly established itself again and the band were simply awesome!

All the bases were covered in the 130-minute set as the band tore through Girls and Boys, There's No Other Way, Beetlebum, Coffee and TV, Tender and Song 2, to a huge reception from those who were there. It honestly was one of my favourite gigs of all time!

Right, it's back to guitar practice for me now as I prepare for Peter Doherty's Glastonbury appearance.

See ya!

Stephen